Craft

Book Critique: Robert Parker’s Looking for Rachel Wallace

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Earlier this week, I talked about the usefulness of the book critique to help refine my writing. I thought I’d show a critique I did on one of crime fiction writer Robert Parker’s best Spenser novels, Looking for Rachel Wallace, a book that has helped me immensely as I try to make a career in the same field.

If the writing seems abbreviated or sloppy or informal, that’s the way I write these so as to better understand the critique later. It’s essentially a monologue I have with myself on paper; if I wrote any more formally or self-consciously, I feel that I’d lose something in the study. Unlike my guide in the previous post, there’s not much in the Issues section and there’s no Summary…I think I cover everything in the other sections. If I get a positive response, I’ll post a more complete critique on another novel.

I hope you find it helpful, but there are huge SPOILERS, obviously. Don’t read the critique if you haven’t read the book!

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Reading to Write

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I imagine that, for most authors, the urge to write comes from reading. My earliest attempt came from having read a story and wanting to emulate it. There is something about the cognitive process that, for writers and would-be writers, makes the act of reading equate almost directly with writing.

Unfortunately, our cognitive process blithely glosses over an important fact: that writing a book is an order of magnitude harder than reading one. That single issue has broken the will of more than one would-be novelist over the years. We probably all know someone who, flush with the pleasure of having finished a really good book, has bought a new laptop, a shelf-full of Writers Digest guides, and sat down to knock out their first novel in a weekend…only to give it up before Monday morning.

But that doesn’t mean that the original impulse—to read in order to write—was unfounded. To be a good writer, you have to continue to read and, in fact, improve as a reader if you want to be successful.

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Key West: Setting as Character

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I can say that, after a short trip to Key West, Florida,  I’m more interested than ever in the concept of “setting as character”. Key West is so rich in history, personalities, and opportunities that you’d have to be made of wood not to see the story-telling potential in the place.

After walking around the streets and docks of the small island, story ideas and plot lines just started sprouting. I’ve already got a heist-caper halfway planned out in my head, thanks to the rich environment.

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Buck Up: The Importance of Little Wins for Your Writing Morale, Part II

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(This is part II of a two-part series about keeping up your writing morale. Find Part I here.)

Critique Groups
Critique groups are certainly double-edged swords: you can feel relentlessly beat down if the criticism is destructive rather than constructive. Even when the critiques are useful, honest, and diplomatically couched, you can feel irritated and depressed that you haven’t “nailed it” on your novel or poem.

Your first duty to yourself in this regard is to find and cultivate a critique group that is helpful and not abusive (and your duty to your fellow critiquers is to be helpful and not abusive…don’t be the problem). After that, put your big boy britches on and accept the criticism. If it’s substantial, honest, and thoughtfully expressed, it’s going to do one thing: help you grow as a writer.

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Buck Up: The Importance of Little Wins for Your Writing Morale

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(This is the first part of a two-part series. Part II coming soon!)

I’m of a cynical bent, so am ill-disposed towards cheerleaders, positive thinkers, and canned morale boosts. But the life of a writer is a lonely and often discouraging one. If you don’t want to end up jumping off a cliff with the pages of your last manuscript fluttering after you, you have to find small victories to keep you going.

I think this is worth writing about because the need for encouragement came as something of a surprise to me. Whether it was because I believed I would become an overnight success or I was young enough to have a naturally rosy outlook when I started writing I don’t know, but as I’ve moved along in my writing career, I’ve found it invaluable to try for, grab onto, and celebrate the little wins…while I work towards the big ones.

If you find your hope flagging and lately all your short stories have titles like “I’d Rather Work in a Coal Mine”, try a couple of these paths to the little victories that will keep those serotonin levels up and empower you to stay in the game. If you have your own ways to boost the ego, please share; there’s no such thing as having too many tricks.

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